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The Villain has a hostage and wants the MacGuffin. Hostage for Macguffin: The heroes have the MacGuffin.The reason for the trip may be a MacGuffin or may not. Going to See the Elephant: Taking a trip with no serious purpose.

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Free Sample Plot Coupon: The first MacGuffin is given or found with zero effort, compared to subsequent ones.

Egg MacGuffin: A Macguffin that is an egg.

Plot coupons are most often this type of MacGuffin.

Dismantled MacGuffin: The MacGuffin is split into several parts and hidden in different places.

Clingy MacGuffin: Inversion of this trope - its most important attribute is that the person who has it wants to be rid of it.

Artifact of Doom: When the MacGuffin doubles as the main antagonist.

Artifact of Attraction: If the object itself is inherently irresistible.

Having a MacGuffin is not necessarily bad writing, depending on how it's handled.

#The italian man who went to malta tv tropes series

If you want to start arguing that your favourite series most awesome magical thing isn't a MacGuffin, remember that Tropes Are Tools. (Though that only counts if it's initially introduced as being unimportant.) If it's more than just a something to keep the plot moving, it's probably a Chekhov's Gun. Contrast Mock Guffin, for when an object that isn't really a MacGuffin is mistaken for one. The Fleece was first mentioned by the Greek poet Simonides, which makes this trope Older Than Feudalism.Ĭompare Magnetic Plot Device. In academic circles this is sometimes called the Golden Fleece, after the artifact from the myth of Jason and the Argonauts.

#The italian man who went to malta tv tropes serial

This device occurred so often in Pearl White's serial films that she routinely referred to the coveted object as a "weenie", using the term precisely as Hitchcock would later use " MacGuffin". Silent-film actress Pearl White starred in cliffhanger serials (most famously "The Perils of Pauline") in which the characters spent most of their screen time chasing each other for possession of a roll of film, or some other doodad.

Hitchcock and Angus McPhail were not the first to formulate this concept. The term was popularized by Alfred Hitchcock, who actually credited one of his screenwriters, Angus McPhail, with the creation of this concept and the name for it, citing a particular school-boy joke: It doesn't matter which it is, it is only necessary for the characters to want it.Ī common MacGuffin story setup can be summarized as "Quickly! We must find X before they do!". it being stolen) would be exactly the same. For example, in a caper story the MacGuffin could be either the Mona Lisa or the Hope diamond, it makes no difference which. To determine if a thing is a MacGuffin, check to see if it is interchangeable. It is usually a mysterious package/artifact/superweapon that everyone in the story is chasing. It won't pop up again later, it won't explain the ending, it won't actually do anything except possibly distract you while you try to figure out its significance. McGuffin or maguffin) is a term for a motivating element in a story that is used to drive the plot. PAGES WILL BE DELETED OTHERWISE IF THEY ARE MISSING BASIC MARKUP. DON'T MAKE PAGES MANUALLY UNLESS A TEMPLATE IS BROKEN, AND REPORT IT THAT IS THE CASE. THIS SHOULD BE WORKING NOW, REPORT ANY ISSUES TO Janna2000, SelfCloak or RRabbit42. The Trope workshop specific templates can then be removed and it will be regarded as a regular trope page after being moved to the Main namespace.

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#The italian man who went to malta tv tropes manual

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